The new recording of The Book of Sounds is an intimate exploration of the piano by pianist Carlos Cipa - a way of looking into the sound, of listening into the moment when Cipa's fingers press down on the piano keys.
The Book of Sounds, created between 1979 and 1982 by composer and pianist Hans Otte, is a musical pendulum movement of one hour in twelve 'pieces', as the composer himself describes them. Chords and melodies repeat themselves, sometimes quickly, sometimes slowly;
they follow each other in harmonic cadences and yet never dissolve - a timeless back and forth.
The Book of Sounds is the European-German answer to the concert music of American minimalism. But it is also the essence of many questions about society and the human condition at that time. Not very fond of hierarchical thinking, Otte manifested an alternative to the virtuoso genius habitus of composers - astonishing when you consider that he produced and commissioned works by Karlheinz Stockhausen and other 'greats' as a radio editor in Bremen from the 1960s to the 1980s.
Otte spent three years composing the 12 pieces, and seldom have simple chords and melodies been so selectively staged. It is a process of endless reduction - no wild sound dramaturgies, no climaxes, hardly any beginning or end. The interpreting pianist, and in the case of the first recording it was Otte himself, simply prepares a tableaux of perception for the listener.
A withdrawal of the author, a personal signatur should not be recognizable. Cipa naturally sets accents; he recorded the 12 pieces on three different pianos - a Steinway grand piano, a Yamaha upright piano, and a Yamaha CP-70, an early electric piano - to help shape the tonal characteristics.
Inspired by Zen Buddhism, Otte was convinced that a return to simplicity, to the unagitated - a piano, harmonic cadences, a middle register - frees the listener to focus on what is really important in art: the human being. Introspection begins with listening. Today it is called deep listening. Otte himself formulated it as follows:
The Book of Sounds is "dedicated to all those who want to be close to the sounds, so that they can uncover their own resonance in search of the sound of sounds, the secret of life."
Carlos Cipa hits the nerve of the times with this new recording. What music can be as art is still up for debate today. The Book of Sounds is not 'art-proof' and in this it is still a provocation today; absolutely unspectacular and practising relaxation. It is a wonderful invitation to feel, experience, and perhaps even find oneself in the confrontation with the work - and for a moment not to fuel the discourse. Art that doesn't want to be art. Cipa, who otherwise appears as a composer himself, here carries out Otte's intended gesture of withdrawal in a double sense and steps into the background as creator but also interpreter, in order to bequeath The Book of Sounds to the loudspeakers and headphones at home in one step forward.
Liner notes by Bastian Zimmermann 

TRACKLIST :

A1) The Book of Sounds - Part 1 07:34 min
A2) The Book of Sounds - Part 2 08:32 min
B1) The Book of Sounds - Part 3 05:05 min
B2) The Book of Sounds - Part 4 05:05min
B3) The Book of Sounds - Part 5 05:52 min
B4) The Book of Sounds - Part 6 03:26 min
C1) The Book of Sounds - Part 7 08:01 min
C2) The Book of Sounds - Part 8 05:09 min
C3) The Book of Sounds - Part 9 02:46 min
D1) The Book of Sounds - Part 10 11:49 min
D2) The Book of Sounds - Part 11 03:30 min
D3) The Book of Sounds - Part 12 04:33 min